A screen gems production12/28/2023 ![]() ![]() ![]() The name was originally used in 1933, when Columbia Pictures acquired a stake in Charles Mintz's animation studio. The Charles Mintz studio became known as Screen Gems in 1933. In 1931, when the studio moved from New York to California, it was renamed The Charles Mintz Studio. Winkler Productions became known as Winkler Pictures after Mintz took over in 1926 and partnered with Columbia Pictures for distribution in 1929. After losing the Oswald contract to Walter Lantz, Mintz focused on the Krazy Kat series, which was the output of a Winkler-distributed property. He moved the production of the Oswald cartoons to Winkler Pictures, along with Margaret Winkler's brother, George. Mintz refused, and hired away all of The Walt Disney Company's animators except Iwerks, Les Clark, and Johnny Cannon, who all refused to leave Disney. In February 1928, when the character proved more successful than expected, Disney sought to meet with Mintz over the budget, wanting to spend more on the cartoons. The result was Oswald the Lucky Rabbit, the first animated character for Universal Pictures. After Mintz become involved with the progress it was clear that Disney was unhappy with the production costs on cartoons, and he asked Disney and Ub Iwerks to develop a new character. The following year the Alice Comedies stopped being distributed by Winkler. In 1925 Winkler's renewal contract for the Felix shorts was written, yet Winkler declined to renew due to her dispute with Sullivan. Mintz quickly assumed Winkler's role in the company, later rebranding it Winkler Pictures. ![]() In 1924, Charles Mintz married Winkler, and the latter's career began to decline. The two agreed to make a series about the cartoon. Winkler saw an unreleased short called Alice's Wonderland, a cartoon produced and directed by Walt Disney, and became impressed with the short. By 1923 she and Sullivan were arguing, and that same year the Fleischer Brothers formed their own distribution company named Red Seal. Winkler Productions and soon also took control of Max and Dave Fleischer's series Out of the Inkwell. Winkler that she should form her own company and take control of the distribution of the series. When producer Pat Sullivan came to Harry Warner to sign a contract with him on his and Otto Messmer's series Felix the Cat, he declined and instead told his soon-to-be former secretary Margaret J. ![]()
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